From the Ashes; a Golden Opportunity

From disaster to opportunity

Broadway costume designer rebuilds 'Lost Colony' wardrobe

By DAVID NICHOLSON | 247-4794

August 10, 2008

William Ivey Long has been called the busiest costume designer on Broadway with a career that spans more than 50 shows. But a tragic event hundreds of miles away from New York made this past year his busiest ever.

In September 2007, an early morning fire swept through the home of "The Lost Colony" on Roanoke Island, N.C., destroying more than 5,000 costumes that had been assembled over the show's 71-year history. Long grew up in the summertime world, and in many ways, he never left it. He maintains a home there, and for many years, has served as set and costume designer for the long-running outdoor drama.

"I remember great sadness and shock," says Long, recalling when he first heard about the fire. "It took me two months to realize that this was an opportunity instead of a disaster."

The "opportunity" meant a chance to redesign the show's entire sweep of costumes from a historical perspective using newly available research. Long canceled commitments on two Broadway shows to work on the "The Lost Colony" project. He and his 60-person staff worked in New York and at the North Carolina theater to build the 1,000 costumes needed for the show. Some funds came from state and federal park services, but the majority of the $2.7 million needed to reconstruct sets, costumes and stage buildings came from individuals.

Long has been associated with "The Lost Colony" almost since the day he was born. His father, William Long Sr., held many jobs there, including technical director from 1949 to 1962. His mother, Mary Wood Long, worked in the costume shop while playing several onstage roles, including the part of Queen Elizabeth I from 1949 to 1953. During his early childhood, Long recalls sleeping in fabric bins underneath the cutting tables of the costume shop.

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http://www.dailypress.com/features/dp-gl_williamiveylong_0810aug10,0,962645.story

Supporting Lost Colony Drama is a Family Tradition

Fearing family continues tradition of support for The Lost Colony

Keeping the longstanding Fearing family tradition of generosity and support for The Lost Colony, Mollie A. Fearing & Associates has again renewed their $5,000 corporate sponsorship to offset overall costs of the production.Fearing's family ties to The Lost Colony story pre-date the symphonic drama. In the late 1920's her great uncle, the late D. Bradford Fearing chaired a committee that organized "The Pageant of Roanoke". The idea inspired Fearing and others who persuaded Pulitzer Prize-winning playwright Paul Green to write a play about Roanoke Island's famed "lost colony."

The elder Fearing, a local merchant and politician, oversaw the production its inaugural year and served as producer and general manager for many years until his death."When you're in our family, you are in service to The Lost Colony," said Grizelle Fearing, president of the Manteo insurance company. "As a kid, I saw The Lost Colony almost every night. Half of the family was in The Lost Colony every summer as costumer, actor-tech, principal, or board member and I was often there to help."Grizelle Fearing's mother, the late Mollie A. Fearing, was one of the production's greatest champions. A gifted hostess, "Miss Mollie" organized The Lost Colony's opening night receptions, board dinners and other social events for years, in addition to serving as a long-time officer and board member.

Fearing's husband, Tom McDonald (grandson of the late Irene Smart Rains, the show's former costumer) has long lent a helping hand, from creating exhibits at places like the Outer Banks History Center, alumni committee work, and even donating items for fundraising auctions from their personal collection. He performed in the show in his youth.

First staged in 1937, The Lost Colony tells the real-life story of America's "lost colony" of men, women and children who sailed from Plymouth, England, in 1587 to establish an English colony on Roanoke Island (N.C.). Predating Jamestown by 22 years and Plymouth by 35 years, the settlement disappeared with hardly a trace, leaving historians and archaeologists with a mystery that has never been solved.

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